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Film sound processing. How to bring the sound from different sources to uniformity?
Filmed a short film. They wrote down what they wrote down. Some of it was recorded on a cannon, some on loops, something had to be taken from the camera. We will not duplicate votes.
The question is, what sequence of sound processing will be needed for the so-called matching?
What plugins work well.
I imagine that I will need a deverb, automatic EQ and something that will clean up the background noise, it is clear that some kind of spectral is needed.
Who faced the problem?
Hope to get answers.
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Sound processing is so individual that no one will give general recommendations. And again, any advice will be subjective, sound mixing is a creative process, there is no single correct solution. If it's difficult on your own, contact any radio or recording studio, they usually have a corresponding service and it's inexpensive.
In general, given that you managed to get and learn how to use a cannon and hinges, the question "what to do with all this now" is very strange.
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